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Hidden Depths of Strength

A hint of sadness
Always in my eyes
Reflecting the madness
And chaos of the past.

I long for normality
To be rescued from the depths
Don't step too close
Always in my eyes.

Keep others at a distance
Hidden strength
Always in my eyes
Uncertainty and sadness.

Rebecca

Poetry Theme(s):

Currently Popular Poems:

Wind Rush

With wind rushing through the reeds I close my eyes I feel the breeze on my cheeks and take a deep breath in. I hear the grebe calling across the water. I breathe out deeply; The warm day has brought spring birds whistling from their canopies. I open my eyes I smell the freshness through my nostrils. The swan glides past smoothly, unaware of myself. The comfort of nature surrounds me.  Melanie  
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Counterbalancing

Fleeting sideways glimpses smash a rib I fall silently on my wing repair I despair. Fragments and bones crush a thought I rise and counterbalance a further day. Paula
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Bones on the Shore

We walk the shoreline down in that dark dip at year’s end, while life’s still slumbering. The beach is a graveyard. We clamber, beneath ominous skies, through cathedrals of bones. Beached giants, prone on the sand, gaunt skeletons, arms uplifted, feet still reluctant to leave. In the lifetime of my children, these dinosaurs, these mighty oaks have fallen, their forms sculpted by time and weather, yet even in death they hold such power. They lie, steadfast as ever, awesome, majestic, statuesque, garlanded with gifts from the river: soft green fronds, little crabs, bladder wrack decorating their fingers. For centuries they stood strong, hearing the river’s song: ebb, flow, winter, spring, tide and moon rising, falling, curlew calling, calling. We will walk the shorelines at that bright time of new beginnings, now we are awakening. Jan Armstrong Photo by Daniel Lincoln via Unsplash
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Dunwich Heath Cliff

Beachen sand, coastal gravel Heave and spew with every wave Are fixed above my head Banks of sand, clots of gravel Two million-years adrift Are rolling at my feet Same old, same old Dunwich Cliff, Dunwich Beach: The poetry of sediment remains Tim
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Leper Chapel - Screams from the Past

Ghost-like stones Of crumbled chalk And forgotten dreams: A leper screams. Lost limbs and Fallen faces: Nuns and monk’s graces Lost to leprosy. Condemned to the chapel: Painful screams, Disfiguring disease In Eleventh Century. A prosperous port To Dunwich they came, Outside Pales Dyke -The fortified ditch. Fragments of columns, Wind-worn capitals And carved Caen stone: Soulless shadows alone. Sandstone arches Guarding unearthly silhouettes Of threatened and isolated lepers Forbidden to work. Medicinal monk-fussing ointments Of hemlock, henbane and mandrake. Preparing for surgery, Opium alerts and vinegar-dabbed faces. Herbs soothing bacteria progressing; Curved sandstone arches Clasping the ghost-like shadows, Echoing the delicate gloom. Stephanie
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Alone (with the birds)

I’m not good at numbers; words are more my thing but I dabble in statistics and the mathematics of probability. Chance I call it. I’m not often alone. Not often silent, except that companionable silence when you’re lost in your thoughts, but in good company. Surprised all at once by a squawk, a solitary moorhen deep in the reeds, minding its own business, today I’m out practising, sitting alone in the sunshine. Together, we come here often, striding up the cliff-top, dawdling through Kensington Gardens, pointing out fading displays of dahlias and falling leaves. We order americanos at the café, with a jug of hot milk on the side – ‘that’s hot milk, please’ – to make our stay last a bit longer. Today, though, it’s just coffee for one. I consider a cappuccino, a break from routine; old habits are hard to break. ‘Americano’ I say, ‘with hot milk, please’. Would I change if I were left alone? The moorhen seems content. Does it ponder the meaning of life? A seagull soars into the blue – doe
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The Skylark

A fletched fanfare to the field Pulses upward Ladders the air No regalia for this herald: A flickering tattered grey-brown speck Yet he cascades his song Like a million pieces of silver Glorying the sky Owning the hunkered down, machine-torn hedges, The tilled and tamed expanse beneath Daring the wind, taunting I’m here, he cries, I’m here Awakening the wild joy in our hearts Bone-bred memories of open heath and grassland. Robert Lindsay
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Ballinasloe Station

Flood plains replenished and diminished, a deceiving here-and-there fluidity and the flat statement of stubborn water. Occasionally trackside trees are stranded, littered in swirling pools that soundlessly disappear. On the horizon, tall walls and radio mast mark the far-off asylum neatly screened with its avenue of trees. The people are hidden beyond the town, their tears reaching as far as the railway lines. The train navigates the flood’s edge like logic escaping emotion, trim engineering escaping danger, holding firmly onto the rails. (Ballinasloe was a major mental home in County Galway) Pat Jourdan
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Ready to Spring

Like the gnarly springtime bulbs, dormant in the ground Your demons crouch under the skin, waiting to be found Waiting for their moment, to break through and be seen The pale face of snowdrops, in a vibrant sea of green Emmalene Taylor
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King of the Woods

Soft green moss and arching brambles With desperate nettles shooting upright to light. Dense, strong and stable, yet soft delicate and gentle A squirrel runway extending arms, reaching limbs Of sun-drenched lime, mottled light barely touching. Fresh, yet decaying hands of friendship, A ladybird highway knitted together. Beneath a silhouette of darkness, A planet in itself.   by Jess and Stephanie A video showing how this poem was written can be found on the Resources page .
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