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Ickworth Oaks


Those ancient tumbled oaks

With intermittent decay

the ridged thick bark

clings to the base

of striped ochre-gold.


Silver-grey

serpentine arms,

outstretched lightning forks

reaching

to the tufted earth.


Beetle channels

deeply grooved beneath

marks of a veteran

striped bark,

worn, crumbled and flaked.


Amorphous hues,

a forgotten

silhouette of darkness

revealed

in Winter’s sun.


Cameron
Poetry Theme(s):

Currently Popular Poems:

Always with Us

The morning is cold, The sky is black, An emotion called grief, Is on your back. The storm is ferocious, Emotions peek and trough, The boat is disabled, By our indescribable loss. Gradually the storm, Will begin to ease, Giving breath to talk, Reflect and believe. But just round the corner, With just the breeze, The storm returns, You are on your knees. The sea is unpredictable, The sails carry us along, We begin to feel, Our loved one isn’t gone. With love and care, These storms will pass, The boat’s in order, The sails half mast. It’s a long journey, The boat begins to move with grace, It makes you feel relaxed, And puts a smile on your face, We can recall the memories, With all the love in our heart, They will always be with us, We will never be apart.   by Tonya  
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The Funeral Arranger

The widow was strung up with tension The son’s body like a rag doll he held his mother’s hand as if with superglue -no tears-the air felt like treacle. “what sort of coffin would you like?”… Clare
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Erosion

Unerring yet erratic The weight of water never waits for readiness Sandstone is proven to be a two-faced liar a pretence of solidity written into the features of its rockface which crumbles under a wave’s supremacy and we wave goodbye to all we knew Lynne Nesbit
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White Hawthorns

The day speaks of white hawthorn Sundays Long washed out road trips, reluctant relatives waving you off on arrival. Rain from decades passed, a swishing of glimpses. Parents cramped and fretful. Passing through a littered accompaniment of faceless outlines. Stretched out warming children, car sick, scrunch up weathered newspapers. Pungent smells of nostalgia, almost Springs bouncing forward hours. Eager sweet wrappers lunge for half opened windows to adorn the floating blossom clouds of hawthorn bushes, March’s winds step in much like a bone-chilled but amiable hitch hiker. A querulous sibling rolls over, sickening, falls out in a screeching of tires. Tearfully rain-splattered. Another weekend pulled out and pegged up, redolent of adolescences quickly traversed. Mark Ereira-Guyer
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In the Skip of the Moon

In the skip of the moon I felt my life lighten, Held between worlds, Drifting slowly to the shore. Fathomed to the flow, Secure in the depths Of the hidden undertow Revealing it’s current. Dragged along, The awakening of freshwater To the spit of Orford, I swam ashore. April
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Feathers

It’s as if all the birds In every weather Had dropped every feather The weight sometimes Of all those why's A ton of lead Or a ton of words unsaid Down on a feathered bed The weight belies The width of squawks When the birds are dead And they sing remembering When a ton of song Weighed the same as Fly away Autumns Flu away fall Feather or not Bird at all. Stephen Kirin
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Ravilious Rules

Yesterday’s heat evaporates taking with it the fierce glare of the sun. Yesterday, sunlight glanced off hills, danced on rivers, but I am used to this gentle Welsh spirit that now envelops the landscape, soft green mist that returns to the hills, softening edges, softening mood. Curvaceous, a line of grey green hills etched in waves of leafiness, dark green towering oaks, hedgerows draped with dog roses, flat, rounded clusters of elderflowers, the gracious sweep of the bronzed maple. Tutored by nature’s harmony, my eye picks out the tell-tale signs of human intervention, marks alien pylons astride hilltops. Tall, straight telegraph poles push their way up through trees, geometric road signs warn of hidden dangers, along straight, tarmacked roads. The sign for Maesmawr Farm shouts its rectilinear message, tempting me with luxury lodges. The arrow points straight to them. Even the forestry commission superimposes its orderly rows on nature’s wayward curves. But the rolling hills triumph,
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Spreading Health

How much better it is to use a hanky or tissue than to propel germs, bacteria, viruses. How much better to keep that hanky up your sleeve then to wash it in 30 degrees or to compost that tissue for bugs and worms to consume making soil to grow food for health. Sue Foster Photo by Diana Polekhina via Unsplash  
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Alone (with the birds)

I’m not good at numbers; words are more my thing but I dabble in statistics and the mathematics of probability. Chance I call it. I’m not often alone. Not often silent, except that companionable silence when you’re lost in your thoughts, but in good company. Surprised all at once by a squawk, a solitary moorhen deep in the reeds, minding its own business, today I’m out practising, sitting alone in the sunshine. Together, we come here often, striding up the cliff-top, dawdling through Kensington Gardens, pointing out fading displays of dahlias and falling leaves. We order americanos at the café, with a jug of hot milk on the side – ‘that’s hot milk, please’ – to make our stay last a bit longer. Today, though, it’s just coffee for one. I consider a cappuccino, a break from routine; old habits are hard to break. ‘Americano’ I say, ‘with hot milk, please’. Would I change if I were left alone? The moorhen seems content. Does it ponder the meaning of life? A seagull soars into the blue – doe
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Cardamine Pratensis

after Laurie Lee, ‘Milkmaid’ ‘Tender cress and cuckoo-flower: And curly-haired, fair-headed maids, Sweet was the sound of their singing’* A pretty name, the ‘cuckoo flower’, just one of many guises: ‘Our Lady’s smock’, or ‘fairy flowers’ that come in varied sizes. The flower, they said, could bring bad luck so rarely picked for remedies; but sometimes risked to use like cress to pepper up the lunchtime cheese. The ‘May flower’ tells us when it blooms while ‘coco plants’ confuse the mind, the rustic ‘milkmaid’ seems to show an image that is less refined. The name suggests a dainty wench, just like the flower, a pleasant sight, who tends the herd in shaded barn in frilly smock, all dazzling white. They say the blooming coincides with cuckoo’s call; they may be right but milkmaids conjure up the mood of summer’s idyll at its height. Lee’s marigolds and buttercups and ‘brimming harvest of their day’ reveal to us a bygone time, remind us of those country ways. Julia Duke *From a 15th or 16
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