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A Woodland Ensemble - Psithurism of the Trees.

The plane tree
With paper-like rustle
Elephant patches
And scaly trunk.

Memories
And mellow whispers
Of a darkest tempest
Dropping the bass.

Constable elms
Whispering, suckering saplings
Converting
To beetle runs beneath.

Ash-
With minstrel keys
playing harmonies
masking sinister die back.

Crataegus thickets
The scratchy
rasping may
catch you quick.

Whispering pines
Bend forwards
Reaching skywards
Splintering the silence.

Mother beech
With spaltered
Marks waltzing
And humoresque streaks.

Holly reigns in
Summer solstice
Days shorten
And poco a poco winter returns.

King of the woods
Ships hold
Forte and
Table fast.

Eric

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Feathers

It’s as if all the birds In every weather Had dropped every feather The weight sometimes Of all those why's A ton of lead Or a ton of words unsaid Down on a feathered bed The weight belies The width of squawks When the birds are dead And they sing remembering When a ton of song Weighed the same as Fly away Autumns Flu away fall Feather or not Bird at all. Stephen Kirin

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If my cast was made of moss I’d be content With the spring of reassurance. If my emotions were made of clay I’d mould them Into a ball. If my ball rolled Far away I’d rescue them Without fail. Natasha

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Ghost-like stones Of crumbled chalk And forgotten dreams: A leper screams. Lost limbs and Fallen faces: Nuns and monk’s graces Lost to leprosy. Condemned to the chapel: Painful screams, Disfiguring disease In Eleventh Century. A prosperous port To Dunwich they came, Outside Pales Dyke -The fortified ditch. Fragments of columns, Wind-worn capitals And carved Caen stone: Soulless shadows alone. Sandstone arches Guarding unearthly silhouettes Of threatened and isolated lepers Forbidden to work. Medicinal monk-fussing ointments Of hemlock, henbane and mandrake. Preparing for surgery, Opium alerts and vinegar-dabbed faces. Herbs soothing bacteria progressing; Curved sandstone arches Clasping the ghost-like shadows, Echoing the delicate gloom. Stephanie

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I met this itinerant in a van He says, “two huge cables dangle from cliffs In Dunwich, on the slant, with a casing round There’s printing on it where the shingle shifts And drags at the retreating sandy ground A bold script part-survives through rust, in blue A knowing, falsely modest, lower case Proclaims a proud legend for all to view Who crunch along the edge of Doggerland It tells me that the national grid renew… the rest corrodes into the shingle strand And that’s it. I’d have liked a cup of tea But the café is long gone beneath the waves” A gull skims the surface of the grey sea. Rod Smith

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We walk the shoreline down in that dark dip at year’s end, while life’s still slumbering. The beach is a graveyard. We clamber, beneath ominous skies, through cathedrals of bones. Beached giants, prone on the sand, gaunt skeletons, arms uplifted, feet still reluctant to leave. In the lifetime of my children, these dinosaurs, these mighty oaks have fallen, their forms sculpted by time and weather, yet even in death they hold such power. They lie, steadfast as ever, awesome, majestic, statuesque, garlanded with gifts from the river: soft green fronds, little crabs, bladder wrack decorating their fingers. For centuries they stood strong, hearing the river’s song: ebb, flow, winter, spring, tide and moon rising, falling, curlew calling, calling. We will walk the shorelines at that bright time of new beginnings, now we are awakening. Jan Armstrong Photo by Daniel Lincoln via Unsplash

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Stones of Old

Tell me your song oh stones of old of the summers that warmed you and the strike of the cold the voices of song absorbed in your heart the anger and fear that tore you apart. Speak to me of church bells and whispered dreams the rough hands that gathered your broken seams the waterways that carried your bones of lime the soft crunch of bread and red rivers of wine. Who did you cradle in your shadowed arch as the songbirds heralded the soldiers march as battles raged in the skies ahead and you sheltered your spiders in a stony bed? Is the wear on your shoulders the marks of the wild or the scrape of a heel from a venturing child? Discarded windows frame the dance of time Oh tell me your stories great stalwarts of lime.     Emmalene  

Very Important Invitation

V VULVA! Did I capture your attention? E Each of us have our own experiences, relevance, compliments & complaints to mention R Race, religion, gender – cervical screening has little constraints it’s about prevention and Y You are in control. I Investment in your health, time to talk, education about look & feel M More talking about our bodies, knowing the facts and questions we have all tried to conceal P Putting it frankly, simply and laid bare O Out in the open and then you find yourself sat in the chair R Red rosy cheeks, being asked about your periods, dryness, sex, safety and infections T That’s an odd question A And did the nurse forget to mention? N Not only do we want to do your cervical screening but we want to check your safe at home too T That’s the aim of our holistic game. I Invest in your time to learn, to read, to look after what you need N Now if you ARE in need we can promise you one thing can be guaranteed V Very Important Invitation will be here to advocate,...

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