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Shaggy pedestals

High upon the carrot tops
tufted landscapes
Sit above the bog.
Stepping stone heads
With flowing Carex locks
Shaggy pedestal sedges afloat.

The dreich valley floor
Acid waters
Drookit underfoot.
Broken bracken
marking the way
Spoor to follow.

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Currently Popular Poems:

Always with Us

The morning is cold, The sky is black, An emotion called grief, Is on your back. The storm is ferocious, Emotions peek and trough, The boat is disabled, By our indescribable loss. Gradually the storm, Will begin to ease, Giving breath to talk, Reflect and believe. But just round the corner, With just the breeze, The storm returns, You are on your knees. The sea is unpredictable, The sails carry us along, We begin to feel, Our loved one isn’t gone. With love and care, These storms will pass, The boat’s in order, The sails half mast. It’s a long journey, The boat begins to move with grace, It makes you feel relaxed, And puts a smile on your face, We can recall the memories, With all the love in our heart, They will always be with us, We will never be apart.   by Tonya  
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Erosion

Unerring yet erratic The weight of water never waits for readiness Sandstone is proven to be a two-faced liar a pretence of solidity written into the features of its rockface which crumbles under a wave’s supremacy and we wave goodbye to all we knew Lynne Nesbit
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Tins

Back then, I couldn't understand. Why so many tins, mum? Towers of carrots, beans and soups. Spaghetti in tomato sauce. She was shaped by war and disability. Rations and depletions. Unreachable shops. The anxiety of uncertainty. Now I'm shaped by the virus war. Rations and depletions. Unsafe shops. The anxiety of uncertainty. I understand, now, and worry. Look at my own tin towers. Just ahead of the panic, Stores drying up, fear building. Ashamed of how I mocked. Unable to say sorry, To say that I understand. Complacent no more. by Adrian Image by Ti Wi via Unsplash
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Feathers

It’s as if all the birds In every weather Had dropped every feather The weight sometimes Of all those why's A ton of lead Or a ton of words unsaid Down on a feathered bed The weight belies The width of squawks When the birds are dead And they sing remembering When a ton of song Weighed the same as Fly away Autumns Flu away fall Feather or not Bird at all. Stephen Kirin
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The Funeral Arranger

The widow was strung up with tension The son’s body like a rag doll he held his mother’s hand as if with superglue -no tears-the air felt like treacle. “what sort of coffin would you like?”… Clare
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Ravilious Rules

Yesterday’s heat evaporates taking with it the fierce glare of the sun. Yesterday, sunlight glanced off hills, danced on rivers, but I am used to this gentle Welsh spirit that now envelops the landscape, soft green mist that returns to the hills, softening edges, softening mood. Curvaceous, a line of grey green hills etched in waves of leafiness, dark green towering oaks, hedgerows draped with dog roses, flat, rounded clusters of elderflowers, the gracious sweep of the bronzed maple. Tutored by nature’s harmony, my eye picks out the tell-tale signs of human intervention, marks alien pylons astride hilltops. Tall, straight telegraph poles push their way up through trees, geometric road signs warn of hidden dangers, along straight, tarmacked roads. The sign for Maesmawr Farm shouts its rectilinear message, tempting me with luxury lodges. The arrow points straight to them. Even the forestry commission superimposes its orderly rows on nature’s wayward curves. But the rolling hills triumph,
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In the Skip of the Moon

In the skip of the moon I felt my life lighten, Held between worlds, Drifting slowly to the shore. Fathomed to the flow, Secure in the depths Of the hidden undertow Revealing it’s current. Dragged along, The awakening of freshwater To the spit of Orford, I swam ashore. April
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Hope

What is hope Glistening frost on the pavement A hint of dawn in the east Small tits flitting, picking some seeds, hesitant first but soon bold. My hope, "light of the world" Shining in you, then reflecting in me. Nothing is lost, just sometimes, it is not so plain to see. Regina
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Careful Where You Walk

In the nick of time, spring at last emerges almost too late to position itself centre stage. A final twirl, a bow sweeping the footlights taking the limelight laying down its profusion of greens its heady fragrances such signs of life’s abundance all showered at our feet. A few more days and summer casting spring aside will be upon us. Be careful where you walk: a purple orchid plucked just in time from the relentless mower daisies a golden drift of buttercups vivid blue speedwell ox-eyes unfolding as we watch bluebells cowslips the deepest of red clovers plantains holding on to their dainty quivers of white petals and the purple vetch a glorious tangled paradise. Rooks fly upwards circle, settle in the topmost branches of a spreading oak. The horses swish their tails. Soon it will be summer, the first swallows sleek with bright new plumage swooping and snaking above the lake, eager to announce its coming. The little clocktower peals out the music of its chimes telling the quarters but
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Cardamine Pratensis

after Laurie Lee, ‘Milkmaid’ ‘Tender cress and cuckoo-flower: And curly-haired, fair-headed maids, Sweet was the sound of their singing’* A pretty name, the ‘cuckoo flower’, just one of many guises: ‘Our Lady’s smock’, or ‘fairy flowers’ that come in varied sizes. The flower, they said, could bring bad luck so rarely picked for remedies; but sometimes risked to use like cress to pepper up the lunchtime cheese. The ‘May flower’ tells us when it blooms while ‘coco plants’ confuse the mind, the rustic ‘milkmaid’ seems to show an image that is less refined. The name suggests a dainty wench, just like the flower, a pleasant sight, who tends the herd in shaded barn in frilly smock, all dazzling white. They say the blooming coincides with cuckoo’s call; they may be right but milkmaids conjure up the mood of summer’s idyll at its height. Lee’s marigolds and buttercups and ‘brimming harvest of their day’ reveal to us a bygone time, remind us of those country ways. Julia Duke *From a 15th or 16
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