Skip to main content

Social Distance

woman sitting looking out across a field and wood in summer
Hot and sultry, early June,
sitting on my doorstep, late afternoon,
watching the traffic flying by:

skylarks, melodious, up high;
swallows above the stable, diving around the sky;
buzzards in tandem, cruising above the dark woods;
rooks, darkly purposeful, circling over the pines;
wood-pigeons, fat and fast, flying noisily by;
two pairs of wild geese landing in the paddock;
low-flying blackbird dashing across my field of vision;
bumblebee, bluebottle, ladybird buzzing about the apple tree.

To say nothing of the that on the ground:

magpie striding decisively;
a gang of crows on the path, conspiratorial;
fifteen guinea fowl in haste, holding their skirts, their rasping calls jarring;
yearling pea-hen, tame, hand-reared, pecking my bare toe;
two little partridges scurrying by; a pheasant in his finery;
a pair of collared doves, courting prettily;
five hens, four black and one gold, busy-bodying around;
two cockerels, one young, the other magnificent, strutting self-importantly.

Oh so busy, this isolation.
The two bay mares in the paddock graze on, oblivious.
I am enchanted.

The evening begins to cool and the horses flick their long tails;
the sky dapples, impressionist apricot and silver;
the hens are a-bed and the dusk light works intensely on the palette;
the sinking sun spreads a russet wash over the sorrel-sprinkled grasses;
the horses’ coats burnish as night slips itself in, in its mysterious inky way.

Hypnotised I stay, until the green is grey, and as the watercolour sky washes away
a dusky hare leaps, iconic; it’s time for the crepuscular creatures
of the edges of darkness to awaken to their lives away from human eyes.
The fox will bark in the woods, the moon will rise and trace its silver arc.

Chill overtakes the warmth of the day and with regret I turn away.

Jan Armstrong

Photo by Jamie Street via Unsplash

Currently Popular Poems:

Erosion

Unerring yet erratic The weight of water never waits for readiness Sandstone is proven to be a two-faced liar a pretence of solidity written into the features of its rockface which crumbles under a wave’s supremacy and we wave goodbye to all we knew Lynne Nesbit

The Rain

Pitter patter falls the rain, on the roof and window pain Softly softly it falls down, Makes a stream that runs around. Penelope

Waiting For Snape

Only wild reeds resonate As the breeze crosses their beds Motivating memories Of woodwind in Suffolk Reds Halyards hitting muted masts A Wherry waiting to waken A Hepworth holds its dignity Whilst wistfully forsaken Vacant is the vestibule Lost of anticipation Still steps tantalising Leading to frustration Malted beams over empty seats Staring at a silent stage No tautophonic tunings Musicians waiting to engage No bustle at the bar Drinks in the intermission The terrace now so solitary In summer a perfect position So until this pugnacious problem This intruder that impedes our needs Is controlled to a certain degree We’ll listen to the rustle of the reeds. Hugh

Ballinasloe Station

Flood plains replenished and diminished, a deceiving here-and-there fluidity and the flat statement of stubborn water. Occasionally trackside trees are stranded, littered in swirling pools that soundlessly disappear. On the horizon, tall walls and radio mast mark the far-off asylum neatly screened with its avenue of trees. The people are hidden beyond the town, their tears reaching as far as the railway lines. The train navigates the flood’s edge like logic escaping emotion, trim engineering escaping danger, holding firmly onto the rails. (Ballinasloe was a major mental home in County Galway) Pat Jourdan

Dunwich Heath Cliff

Beachen sand, coastal gravel Heave and spew with every wave Are fixed above my head Banks of sand, clots of gravel Two million-years adrift Are rolling at my feet Same old, same old Dunwich Cliff, Dunwich Beach: The poetry of sediment remains Tim

Birch Tree

White bark shedding tissued layers And stripes across the brown earth deep leaf littered floor. Diamond shaped fissures Twigs with small dark warts Pointing to the sky. Light green Tooth-edged leaves Swinging to the wind. Jane  

King of the Woods

Soft green moss and arching brambles With desperate nettles shooting upright to light. Dense, strong and stable, yet soft delicate and gentle A squirrel runway extending arms, reaching limbs Of sun-drenched lime, mottled light barely touching. Fresh, yet decaying hands of friendship, A ladybird highway knitted together. Beneath a silhouette of darkness, A planet in itself.   by Jess and Stephanie A video showing how this poem was written can be found on the Resources page .

So Much Yellow

There’s gorse, of course and sometimes broom, the lichens yellow on the tomb and every churchyard has its fill of lovely yellow daffodils. There’s dandelions and celandine and yellow primrose, I suppose, and fluffy yellow chicks are born and yellow toads from slippery spawn. And green is seen on every lawn, at April’s end the woods turn blue and tulips bloom in pink and red with drooping leaves in every bed but yellow bellows all around: spring’s mating call, a joyful sound. Julia Duke

Abseiling Platform

A disorganisation of bumpy, stained stones, Sandy olives beneath Mossy pockets of flowers And ruptured mortar. A sun drenched lime backing Crumbling ruins, Abseiling platform Hosting a multitude Of alien life forms. Charlotte

In the Skip of the Moon

In the skip of the moon I felt my life lighten, Held between worlds, Drifting slowly to the shore. Fathomed to the flow, Secure in the depths Of the hidden undertow Revealing it’s current. Dragged along, The awakening of freshwater To the spit of Orford, I swam ashore. April